Ryan Phillips Blog

I found this great little story over on Apartment Therapy about a couple who lives above an Art Gallery that they run. The article likens them to Herb and Dorothy Vogel. If you are unfamiliar with Herb and Dorothy you should check them out. Herb worked in a post office and Dorothy was a librarian. Together over 40 years they amassed a collection of 4,700 pieces of art from some of the most famous artists in the world…before they were famous! They had paintings strung from the roofs, stuffed under the bed and packed in boxes. They donated the enitre collection to the National Gallery of Art but it could only accept 1000 of the pieces as it had no room for a collection of this size…which fit into the Vogels tiny NYC apartment. They gave the rest away to other musueums and then started filling their tiny apartment again.

Herb and Dorothy a film by Megumi Sasaki was just released to critical acclaim but it almost didn’t happen. Here is what the artist had to say about the film:

“They didn’t articulate why they like this particular artwork, why did they collect a certain artist,” Sasaki says. “The only thing they said was, ‘It’s beautiful. I like it.’ How can I make a film about art collectors who don’t talk about art?”

Sasaki had resigned herself to making a 20-minute short film until an interview with Italian artist Lucio Pozzi convinced her that part of the beauty of the Vogels is that they aren’t so academic about what they like. They act on intuition.

That intuition made them one of the largest and most astute collectors in the New York art scene. Collecting the likes of Christo, Schnabel, Koons, Lichtenstein and hundreds of other world class artists. Those who watched said Herb would just walk up to something and point like a hound. He just new what he liked…and what he liked turned out to be some of the most renowned contemporary art in the world.

Watch the Trailer…

YouTube video

These days, editing seems like a long lost art for most people other than professionals. Editing is the art of choosing your best pictures and then taking those to the next level. For most of my career I edited out, tossing what I didn’t want and keeping the rest. About two years ago a friend of mine forced me to try editing in. It was near impossible at first but after a few jobs it became second nature. Having tried both I could never go back.

Here is the basic premise: let’s say you have 6 similar images in front of you. If you edit out, you may pull out 3 but still have 3 left. In reality, only one is a hero shot. Now, if you edit in, you will pick 1 shot out of the 6 and it is the clear winner. It seems like a small shift in perception but it has a HUGE impact on your workflow. You will edit about 70% faster and have a tighter edit when you are done. This will help you tell the story of the event with less images. You will learn more from looking over a tighter edit and you will do more with the resulting images. In this manner, you can end the analysis paralysis that plagues you and choose good solid images and do things with them.

This is not just a pro-technique, it is probably even more useful for consumers. You come home with a camera full of images and throw them on a hard drive. Maybe you share a few but you get overwhelmed by it all and they just sit there. If you take a few minutes to “edit in” you will reduce the number you are storing, only keep the best, and be more likely to actually print them. Remember life with film? You always had prints and ALWAYS put something up in your home to display, whether on the wall or in an album. Editing In will help you actually do something with your images again so you can truly enjoy your memories.

Below is a screen shot with similar RAW images and the one with the box around it is the winner of the bunch. The reason I picked it over the others should be obvious – it is sharp, it has the best facial expression, and the composition and lighting are great. Maybe I would pick one other that is serious but this is a happy, fun bride and this shot sums up a portrait of her in one shot. Why bother keeping the rest? Neither of us will ever use them.

This is also a cool feature of PurePhoto that may help you organize. You can use our split screen feature to split a CF card into multiple galleries. For example, you may have the Fourth of July parade, bath time, and some winter scenes you shot all on one card before you download. With our split screen feature, you can easily drag and drop those images into different galleries to keep them organized. Now they will be easier to “edit in.”

*On the left is the gallery with the 3 different events, on the right is the main library. You can add new sub galleries as you drag and drop the images from the left panel to the right panel. EASY!

Here are a few more from Sara’s Wedding in July. She and Greg had a beautiful ceremony at Leach Botanical Gardens in Portland.

I am pretty far behind on blogging and hope to catch up over the next few weeks. As a teaser for the post I am working on, here is a killer pair of Louboutin’s from Amisha and Chris’s Wine Country Wedding. Look closely at the individual “fish scales.” The detail work is amazing….

La Maison de Photo specializes in B&W photography. It distributes images with a poetic and timeless view of French landscapes. Looking for perfection, quality and authenticity, La Maison de Photo recently launched in Belle-Ile-en Mer in Brittany on the French Atlantic coast an art gallery with photos from its two founders, Patrick Borie-Duclaud and Nicolas Boudreaux. Visitors can discover black and white photographic work about Belle-Ile-en-Mer in the gallery located on the island.
All photos are printed using traditional, analog techniques. Prints will have optimal nuances of greys with a unique combination of surface reflection, high fidelity, and tone resulting from burning and dodging effects applied individually to each print. You can find their selected works online at PurePhoto Collections.

About the Artists:

Patrick Borie-Duclaud was born in 1960. “I studied photography for three years in a private school in Toulouse, in the South of France. Then I’ve worked as a freelance photographer in Los Angeles for two years before starting a 20-year long career in publication photo shoots in France. Now back in Brittany, I have dedicated myself to black and white landscape photography”

Nicolas Boudreaux was born in Paris in 1964. “After a few years studying graphism, I started working in publication shoots in Toulouse, France. I am now fullfilling a long-time dream of mine. Every day I get to shoot the island of Belle-Ile-en-Mer with my closest friend.”

We just got a new feature in one of California’s premier wedding magazines, Your Wedding Day Magazine Check it out.

We just posted a free video as a little teaser for what is inside the premium content area at PurePhoto.com. This is a simple B&W conversion in Photoshop that requires no advanced knowledge, advanced techniques, or 3rd party plug-ins. It is a quick Desaturate and Contrast bump.